生長的體溫 飛盤篇

青春如光，轉瞬即逝。鏡頭是我唯一的網，捕捉肌膚的晨曦、骨骼的風聲。創作這個系列的寫真集，是留給時光的回聲——讓最純凈的年華，永遠停駐在光影之間。

Youth is like light, fleeting in an instant. My camera is the only net, catching the dawn on skin, the whisper of growing bones. This photo series is an echo for time — to let the purest years forever rest in the realm of light and shadow.

木川，獨立出版人、攝影師、藝術家。其作品常取材於生活，從樸素的事物中挖掘內在的生命。他堅持作品應當是出於內心的感受，如果只註重形式和裝飾，那麽形體只是空洞的軀殼。 他反對過度裝飾下的空虛，外在的服裝與環境只能表達某壹時期和空間的語言，只有脫去偽裝才會有真摯的表達。在他所處的社會，人們對於裸體攝影還存在很大爭議，他堅持：“裸體攝影是情色，還是藝術，取決於觀賞者的心態。如果人的心是純凈的,那麽他便能從裸體中感受到藝術的美；如果人心充斥著欲望，即使人物穿滿衣服，也皆是邪念。” 通過電影、攝影、寫作、行為、裝置等藝術表達方式，他探索著關於自由的精神追求，倡導對同誌群體的關註和保護。當攝影無法表達他的感受時，通過無聲的文字，他尋找著能感同他感受的人。

MuChum, an independent publisher, photographer and artist. His works are often drawn from life, and digging out the inner life from the simple things. He insists that works should be out of the feelings of the heart. If we only pay attention to form and decoration, then the body is only empty shell. He holds against to the void under over-design.External appearance and social environment, can only express the language of some certain periods and space. The only way to truly express is to take off pretense. In his society, there is still a lot of controversy about nude photography. He insists:“Whether nude photography is erotic or artistic depends on the viewer’s mi