Along the River During the Qingming Festival Chinese&English

清明上河圖(中英文版)qingming painting

Author黃秀蘭、張幃超

Publisher 天行書苑

Released

2016/10/01

Language

English

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PDF: Fit in Tablet

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DRM Free /Adobe DRM

Pages

507

79150

ISBN

978-986-921-256-4

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　　〈清明上河圖〉為北宋張擇端所繪，圖為絹本，淡著色，長528公分，高24.8公分。「清明」為清明節之意，「上河」為當時習俗，人們於清明祭掃祖墳之後登臨上橋，臨風顧盼京城與汴河之美，或遊逛飲食於橋上攤販、橋畔河市，便是所謂的「清明上河」。畫中可以看到許多清明節的習俗，如「王家紙馬店」前的紙紮樓閣、城外楊柳雜花裝簇轎頂的掃墓隊伍、橋頭數家販賣泥人黃胖的攤販、還有掃墓歸來後於城中聚飲的景象，都與《東京夢華錄》所描述之北宋宣和年間汴京的清明風俗相為表裏，是宋代風俗畫的傳世鉅作。

　　The Along the River During the Qingming Festival was painted by Chang Ze-Duan of North Song Dynasty on silk. Painted in light colors, it is 528cm wide and 24.8cm tall. Qingming implies Qingming Festival or Tomb Sweeping Festival. “Shang He” (above the river) was a norm at that time. After worshipping the ancestors and sweeping their tombs, people would get on the bridge to enjoy the view of Bianjing and River Bian. Or they may wander along the bridge and buy snacks from the vendors there and visit the riverside towns. This is what “Qingming Shang He” means. In the painting, we can see many of the norms of Qingming Festival, such as the pasted paper building miniatures in front of the “Wang’s Paper Horse Shop,” the tomb sweeping team with sedan chairs decorated with willow branches and flowers outside the city, the vendors selling mud figurines at the entrances of the bridge, the people gathering and drinking after tomb sweeping, and more. These scenes are similar to the descriptions of The Eastern Capital: A Dream of Splendor. In short, it is a masterpiece of social norms painting completed in the Song Dynasty.

　　書中引用資料的取材以同一時期描述北宋徽宗崇寧到宣和(西元1102-1125)年間北宋汴京的《東京夢華錄》為主要參考依據，並以宋代史書、宋人筆記、宋代詩詞深入闡述圖畫中的人、事、物，期許能契合圖旨。而專業構件則以專業書籍為參考，《營造法式》比對畫中建築結構，《天工開物》揣摩畫中船隻構造，《宋史‧輿服志》推演當時車式、轎子、服飾，《東京夢華錄》考察民情風俗與京城地理方位，再佐以當代對〈清明上河圖〉的研究書籍與論文，希望帶給讀者全面而真實的解讀。

　　The major reference of this book The Eastern Capital: A Dream of Splendor, which records the events happening between 1102 and 1125, during the time of prosperity of Bianjing from the year of Chongning to the year of Xuanhe of Hui Zhong of North Song Dynasty, during the years of the completion of this painting. In addition, history,journals and poetry written on Song Dynasty are also referenced to explain the characters, events and things portrayed in the painting, hoping to remain faithful to the theme. As to the professional parts, the Treatise on Architectural Methods or State Building Standards is consulted to compare with the structure of the architecture in the painting. The Exploitation of the Works of Nature is consulted to find out the structure of the boats. “On the Carts and Costumes” in Song History is consulted to pinpoint the making of the carts, sedan chairs and costumes of that period. The Eastern Capital: A Dream of Splendor is consulted to examine the social norms and the geographical location of the capital. Of course, reference books and articles on Along the River During the Qingming Festival are read to present a complete interpretation on the painting.

　　一代界畫大師張擇端為我們留下了北宋都城形象的第一手資料，商業貿易、穿著服飾、民情風俗、建築樣式、家具器物、交通工具等方面，都具有重要的歷史文獻參考價值。而其豐富的人文內涵、人道情懷也使這幅畫得以再三品味，越是細讀、越能體會畫家的用心，給人一種餘韻猶存、意猶未盡之感。故其在中國乃至世界繪畫史上被奉為經典之作，是中國十大傳世名畫之一，也被譽為「中華第一神品」。在二十一世紀的今日展卷細品〈清明上河圖〉，依然令人讚嘆動容，此幅世代廣為流傳的名畫，歷經戰爭紛擾、朝代更迭、世事變遷，仍屹立世間，偉大的畫作永遠能突破時間與空間的限制，達到不朽，展現人類美學文化的普世價值。

　　 The great Jiehua(Margin Painting) painter Chang Ze-Duan left us with the first hand materials of the image of capital city in the North Song Dynasty, including trade and commercial activities, costumes and social norms architectural style, furniture and vessels, transportation, and more. All of them are of high historical value. Moreover, its humanistic connotations and sensations allow us to read and re-read this painting. The closer we read it, the more we can find the painter’s intentions. It always impresses us with its infinite charms that echo in our hearts. Therefore, it is regarded as a classic in Chinese and world history of art. Ranked as one of the top ten Chinese paintings, it is also renowned as the “first and heavenly work in Chinese painting.” Viewing this picture Along the River During the Qingming Festival in the 21st century, it still wins our exclamations. This masterpiece has been passed down from generation to generation, having gone through wars and dynasties, and shifts in times, with unchanging values. Great paintings can always prevail over the limits of time and space to become immortal, demonstrating the beauty of aesthetics and universal human values.

目次contents
發行緣起-古典與科技的結緣 002
Notes on publishing--the fusion of the classics and technology
編輯說明 014
Editor’s Words
〈清明上河圖〉四十篇擷圖標示 032
Along the River During the Qingming Festival 40 Picture Clips
〈清明上河圖〉傳世的歷史價值 036
The historic values of Along the River During the Qingming Festival
北宋翰林圖畫院與畫師張擇端 046
Imperial Painting Academyand Painter Chang Ze-Duan in the North Song Dynasty
北宋時期汴京城與汴河漕運 055
Bianjing City and Inland Water Transportation on Bian River in the North Song Dynasty
第一卷　綠意盎然的城郊閒情 064
　Volume 1 Suburban Leisure in the Woods
　第一篇　清幽東郊　寒林中的運炭驢隊 066
　Chapter 1 The Tranquil East Suburbs　
The Donkey Team Carrying Charcoal through the Cold Woods
　第二篇　薄霧漫漫沉睡的農村 072
　Chapter 2 Shrouded in Mists The Slumbering Rural Village
　第三篇　新芽初綻暮春生機蓬勃的清明柳 078
　 Chapter 3 New Leaves Sprout
the Vital Life Force of Willows during the Qingming Festival
　第四篇　掃墓歸來　楊柳簇頂的轎隊 086
　Chapter 4 After Tomb Sweeping　
Sedan Team Covered with Willow Branches
　第五篇　千古之謎　鄉間路口消失的畫面 093
　Section 5 The eternal myth　
The missing scene at the entrance of a country road
　第六篇　祭盡其誠　出城掃墓的騎驢夫婦 101
　Chapter 6 Worship with sincerity　
The couple leaving the city to sweep tombs
　第七篇　陰間華廈　王家紙馬鋪的紙紮閣樓 107
　Chapter 7 Mansion in the Underworld　
Pasted Paper Pavilion by Wang’s Paper Horse Shop
第二卷　忙碌的汴河漕運 118
Volume 2　The Busy Inland Water Transportation Along the Canal
　第八篇　漕運卸貨　指揮若定的下卸司官員 120
　Chapter 8 Inland Water-transportation　
Orderly Command of Officials from the Unloading Department
　第九篇　來者是客　廣開門戶的臨河大酒館 128
　Chapter 9 Customers in Pubs 　
The Huge Riverside Pub Welcomes All
　第十篇　逆流而上　滿載貨物的萬石船 137
　Chapter 10 Sailing Upstream
Wan dan Ships Loaded with Cargoes
　第十一篇　清明新火　靠岸休憩的五艘客貨船 146
　Chapter 11 New Fire on Qingming　
Five Cargo Ships and Passenger Ships Anchoring by the Banks
　第十二篇　翰墨飛舞　獨輪車上熾烈黨爭的徵兆 156
　Chapter 12 Dancing of the Brush and Ink　
The Signs of a Factional Struggle on theW heelbarrow
　第十三篇　搖櫓盪舟　齊心協力的舵夫們 166
　Chapter 13 Rowing the Oars　
The Boatmen that Work Together
　第十四篇　濯汙揚清　汴河畔小船上的浣衣女子 172
　Chapter 14 Wash the Dirt and Hoist the Clean
A Little Laundry Woman on a Small Boat in the Bian River
　第十五篇　離情依依　拱手話別汴河柳岸 178
　Chapter 15 Parting　
Bidding Farewell to the Willow Banks of Bian River
　第十六篇　登高疾呼　虹橋下船隻動盪不安的前兆 185
　Chapter 16 Climbing High to Cry Out　
The Sign of the Unrest Below the Rainbow Bridge
　第十七篇　虹橋事件　汴河中失控受困的船隻 193
　Chapter 17　The Rainbow Bridge Incident　
The Ship Lost Control and Trapped in Bian River
　第十八篇　橋頭熱賣　清明專賣泥人黃胖的攤販 206
　Chapter 18　Hot Sales at the Bridgehead　
The Hawker Selling the Mud Figurine -- Huang Pan during Qingming Festival
　第十九篇　狹道相逢　虹橋上互不相讓的兩派人馬 214
　Chapter 19 Coming Across on a Narrow Lane　
　Two Gangs that Give No Way on the Rainbow Bridge
　第二十篇　展翅欲飛　虹橋頭聳立的飛鶴表木 223
　Chapter 20 Ready to Take Off　
The Flying Cranes Decorative Columns at the Bridgeheads
　第二十一篇　酒香四溢　新酒初沽的十千腳店 234
　Chapter 21　Wine’s Fragrance　
Shi Qian Jiao Dian Sells New Wine
　第二十二篇　解渴聖品　潤喉養生的花果青草茶「飲子」 246
　Chapter 22 The Best Thirst Quencher　
Yinzi, the Nurturing Floral, Fruit and Herbal Tea Drink
　第二十三篇　金枝玉葉　千里船運的奇花異草 256
　Chapter 23 Golden Branches and Jade Leaves
Rare Plants Transported by the Long-distance Ships
　第二十四篇汴河逝水　匠心獨運的漕運景象終點 266
　Chapter 24 The Fading Bian Rive　
The Craftily Arranged Terminal for Inland Water Transportation
第三卷　繁華的汴京城 276
Volume 3　The Prosperous Bianjing
　第二十五篇　藥到病除　博施濟眾的賣藥長者 278
　Chapter 25 The Herbs that Heal
　The Senior Druggist Interested in Charity Services
　第二十六篇　品茗閒情　河畔茶坊的點茶風味 287
　Chapter 26 The Joy of Tea Tasting
　Tea and Snacks at the Riverside Teahouses
　第二十七篇　達官顯貴　羅傘前導的貴族牛車隊 295
　Chapter 27 Aristocrats and Officials
　Aristocrats’ Ox-drawn Carts’ Array Led by Embroidered Umbrellas
　第二十八篇　吉凶未卜　開在官府衙門旁的算命攤 304
　Chapter 28 Good Fortune or Bad Fortune
　The Fortune Telling Stall by the Government’s Office
　第二十九篇　柳蔭暫歇　冷清佛寺前下馬停轎 314
　Chapter 29 Taking a Short Break under Willows’ Shade　　
　Descending the Horse and Stopping the Sedan Chair by a Desolate Temple
　第三十篇　　西域風味　出城牛車隊前的胡餅攤 323
　Chapter 30 The taste of the West
　The Hu Cake Stall in Front of the Ox-drawn Cart Team
　第三十一篇　跪地陳情　城門口跪求官員伸冤的百姓 334
　Chapter 31 Kneel to Appeal　
The Person Kneeling Down outside the City Gate to Appeal for Justice
　第三十二篇　巍峨城門　壯麗的汴京城門與駱駝商隊 347
　Chapter 32 The grand city gate
　The Grand Bianjing City Gate and Camel Caravan
　第三十三篇　掂斤估兩　盤點查核進城貨物的忙碌稅吏 360
　Chapter 33 Weighing and Calculating　
Customs Officers Busy Checking Inventories of Good being Transported into the City
　第三十四篇　高朋滿座　張燈結綵的酒館-孫羊正店 370
　Chapter 34 Packed with Customers
　The Pub with Lanterns and Banners – Sun Yang Zheng Dian
　第三十五篇　笑談古今　羊肉鋪前口若懸河的說書人 381
　Chapter 35 Discussing Now and Then
　The Eloquent Storyteller outside the Mutton Shop
　第三十六篇　埋首苦讀　赴京趕考宿於王員外家的書生 391
　Chapter 36 Studying Hard　
Students Taking the Examinations in the Capital Lives at Wang Yuan Wai’s Inn
　第三十七篇　貿易盛行　中國的絲帛與海外的香藥 404
　Chapter 37 Blooming Trade　
Chinese Silk and Imported Fragrance
　第三十八篇　井水甘冽　清明早晨辛勤打水的壯丁 414
　Chapter 38 Clear Well Water　
　Servants Fetching Water from Wells in the Morning of the
　Qingming Festival
　第三十九篇　千里跋涉　取經歸國的行腳僧 426
　Chapter 39 Traveling for a Thousand Miles
　The Monk Return from his Quest of Sutras
　第四十篇　　良醫良相　懸壺濟世的趙太丞家 439
　Chapter 40 Excellent Doctor and Superb Prime Minister
　The Home of Doctor Zhao that Practices Chinese Medicine
結語 452
Conclusion
參考資料 464
References
清明上河圖人物拾趣 468
Along the River During the Qingming Festival
Portraits of Characters
著作權頁 506
Copyright

作者介紹About the authors

黃秀蘭 Shiu-Lan(Jully) Huang
　　作者從事法律專業多年後，有感於法庭的人性衝突與善惡刑罰的因果業報，難以在法律規範中獲得生命終極的答案，於是透過既有的文史基礎，開始接觸禪修、研讀易經、修習佛法。深覺中國傳統儒釋道思想將為二十一世紀文明人類找到生命的出口，因而投入中國傳統經典現代化的工作，建制書苑網站平台，深耕經典園地，探索文化藝術名家作品，製作發行中國經典出版品，希望透過《清明上河圖》的解構與析述，呈現中國古代美好的生活方式，與世人分享之。

張幃超Wei-Chao Chang
　　張幃超，字貞乾，號道明子，1986年出生於台北，台灣師範大學國文系畢業，現任天行書苑編輯。自幼茹素，熱愛中華文化，也喜愛植花弄草，就讀台灣師範大學國文系期間修畢四書五經，閱覽諸子百家與中西哲學。畢業後，即投入國中的國文科教學工作，教學中體會到中華傳統文化的重要性，希望能藉由編輯傳統經典，加深對經典的認識與詮釋，也期待利用網站和電子書，將中國傳統文史經典透過現代的詮釋傳播於全球。

Details

Released

2016/10/01

Language

English

File format

PDF: Fit in Tablet

Download options

DRM Free /Adobe DRM

Pages

507

79150

ISBN

978-986-921-256-4

Buy products firstAnd download app to watch

Details